MELT TRIO

Melt Trio will perform with clarinetist and saxophonist Chris Speed
02.02.19 “West Germany” Berlin

www.chrisspeed.com

Melt Trio will perform in Mexico + Peru + Guatemala in April/May 2019!
Performances at Jazzfestival Mexico City + Jazzfestival Lima will be part of our tour

Melt Trio LIVE AT MOERS FESTIVAL 2018
Full performance from May 15th 2018 at FESTIVALHALLE MOERS

18.05.18 Moers Festival, Festival Halle
19.05.18 Moers festival, Retro `77 Bühne (18h)

Just confirmed!
On 18.05.18 we will play at Moers Festival in the Festival Halle

28.11.17 West Germany, Berlin
05.12.17 Jazzlab, Hamburg

28.09.17 Berlin, Dujardin
13.10.17 Freiburg/Merzhausen, Forum Jazz
14.10.17 Villingen, Jazzclub
15.10.17 Basel, Renée

Unser aktuelles Album “STROY” ist zweifach für den ECHO Jazz 2017 nominiert!

• Moritz Baumgärtner – in der Kategorie „Instrumentalist/in national Drums/Percussion“

• Peter Meyer – in der Kategorie „Instrumentalist/in national Gitarre“

08.02.17 Jena, Theater
09.02.17 Nürnberg, Brozzi Jazz
10.02.17 Ulm, Kradhalle
11.02.17 Altenburg, Jazzklub
12.02.17 Duisburg, Lokal Harmonie
13.02.17 Freiburg, Blue Rabbit
15.02.17 Frankfurt, Fabrik

(Gefördert vom Berliner Senat)

Melt Trio with Ustad Nafees on Sitar and Ustad Basheer on Tabla in Karachi.

“It had been years, that we witnessed an auditorium so packed, with people sitting on floor, staircases and standing in the doorway there was hardly any space left as Goethe Karachi presented yet another fascinating evening where the German band “Melt Trio”. True to its name the Melt Trio exceptionally managed to melt the audience’s hearts presenting them with soulful music that filled the ambience with mellifluous sounds. A unique combination fascinating and exceptionally pleasing! with Peter Meyer on guitar, Bernhard Meyer on bass & Moritz Baumgärtner on the drums the Trio presented a mesmerizing performance in collaboration with Ustaads Nafees on Sitar and Ustad Basheer on Tabla.”

“It was nothing less than a delight listening to their extraordinary musicianship. The first track was enough to tell the audience what they were in for. It was not a typical jazz tune and was rather more in the experimental realm, but as the composition moved along, the brilliant bass riffs and guitar runs, not to mention top-notch drum playing, brought the composition into familiar territory in no time.”